Gustav Mahler Symphony No. 5, arr. for two pianos by August Stradal

『マーラー 交響曲第5番 ピアノ2台用編曲(A. ストラダル)
この編曲は、基本的にオーケストラを忠実に再現しようとするもので、非常に音が多く、演奏も難易度が高い。編曲者のアウグスト・ストラダルとマーラーは、生年が同じ1860年であるうえ、両者とも現在のチェコで生まれ、ウィーン音楽院で学んでいると共通点が多い。ナナサコフの多重録音による演奏は、全体的に激情型の表情豊かな演奏ではなく、インテンポで楽譜の指示通り進む場面が多い。ピアノの音だけになり曲の構造が露わとなることで、新しい気づきも多いだろう。特に第5楽章のフーガ的な書法はピアノ編曲の醍醐味が味わえる。

  • english description

    Gustav Mahler Symphony No. 5, arr. for two pianos by August Stradal
    This arrangement is basically an attempt to faithfully reproduce the orchestra, which is very sound and difficult to play. The arranger, August Stradal, and Mahler share the same year of birth, 1860, and both were born in what is now the Czech Republic and studied at the Vienna Conservatory. Nanasakov's multi-recorded performance is not an intense, expressive performance as a whole, but rather, there are many scenes in which the music proceeds in-tempo and as directed by the score. The piano alone reveals the structure of the piece, and this may lead to many new discoveries. In particular, the fugal writing in the 5th movement is a real delight of piano arrangement.

Scriabin's "La Devin Poeme", "Prometheus"/Konyus, Sabaneev : 2 Pf

JNCD-1026 Track List



  1. Symphonie No.3 "Le Divin Poeme" Op.43 1st. movement [23:52]
  2. Op.43 2nd. movement [10:28]
  3. Op.43 3rd. movement [09:28]
  4. Symphony No. 5 Prometheus: The Poem of Fire, Op. 60 [20:42]
  5. Piano Concerto, 2nd movement Op.20 [08:59]